Marvel·Incredible Hulk·#13·Modern Age·ID-2387333
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 33 of 48 slabs (68.8%) | 33 | SOV | $112.31 | 33 | $3,706 | (22.5x) |
| 9.6 | 8 of 48 slabs (16.7%) | 8 | $27.00 | 8 | $216.00 | (5.4x) | |
| 9.4 | 5 of 48 slabs (10.4%) | 5 | $20.00 | 5 | $100.00 | (4.0x) | |
| 9.2 | 1 of 48 slabs (2.1%) | 1 | $20.82 | 1 | $20.82 | (4.2x) | |
| 9.0 | 0 slabs | 0 | — | — | — | — | |
| RAW | Raw Uncertified Copies | — | RAW | $4.99 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Paul Jenkins
Ron Garney
Sal Buscema
Jason Wright
Tom Brevoort, Gregg Schigiel
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
Modern Age (1992–present) — foil cover era, variant proliferation, and the independent movement. Strong narrative significance drives key issue demand. Census-registered copies anchor pricing.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Having traveled deep into his mind with the assistance of Angela Lipscombe, a brilliant psychologist and Bruce's old university girlfriend, there he is trying to tame the Hulk so that the creature doesn't take over after a degenerative brain disease destroys the mind of Bruce Banner. There he has found himself in a mindscape resembling the Crossroads dimension with his Professor and Joe Fixit personas who have been restrained by the massive and demonic looking Guilt Hulk. With the Guilt Hulk waiting for Banner to make a move, he decides to deal with Joe Fixit. He agrees to free Joe under a few conditions: He also frees the Professor. He also gives Joe control of his body at night while the Professor controls it during the day, but warns them that they will both be answerable to him. When Joe tries to play hard to get, Banner calls his bluff and the gray Hulk agrees to his terms. After he frees Joe, the Guilt Hulk attacks causing the two to scatter. In the real world, Angela Lipscombe continues monitoring her patient and believes that she has rushed him into this treatment too quickly and has tried in vain to revive him from his hypnotic state. With Banner being the only one to get himself out of this situation, Angela hopes that he finds an exit, and finds it soon. Meanwhile, inside Banner's mind, Joe Fixit tries to attack the Guilt Hulk despite Bruce's protests and is easily swatted aside. Needing more help, Joe Fixit frees the Professor and the two fight it out with the Guilt Hulk. Banner flees the scene and enters a cave where he discovers countless fragmented personas trapped within its walls. He is horrified by this sight, wondering if they are all reflections of himself. As if reading his mind, Banner is told that they are by a reptilian version of the Hulk who introduces itself as the equivalent to the devil. Shackled up, the Devil Hulk mocks Banner for coming to him and tries to entice Bruce into setting him free. The Devil Hulk tries to convince Banner that only he can defeat the embodiment of guilt that Joe Fixit and the Professor are fighting outside. He then turns to mocking Bruce over his childhood abuses and the loss of his wife Betty. When Bruce refuses to unleash the Devil, this evil persona vows that it will continues to struggle until he is free. As Bruce Banner flees the cave, the Devil shouts at Banner, telling Bruce that he will need him. He returns to the two Hulks who are losing the battle against the embodiment of guilt. The Professor tells them that they need more help. Bruce then decides to go looking for the Savage Hulk and finds him sulking not far away. When he tries to talk to the Savage he screams at Banner to leave him alone. This makes Bruce think back to his childhood and how he hated his parents for abandoning him alone all the time, and how he grew to prefer being left alone. Remembering this and what his desires were at the time, he tells the Hulk that he needs him. This convinces the Savage Hulk to leap into the battle and help his two counterparts battle the guilt. With the three Hulks pounding on the guilt in tandem the creature is vanquish and Banner breaks free from his hypnotic trance, much to the relief of Angela. The following day, Bruce tells Angela what happened and that he made a pact with the Hulks to take over when his disease becomes too strong and hopes that they honor his request for some control. The two get into a car and drive away and in his mind Bruce hears the tauntings of the Devil Hulk, who is biding his time until he can be released.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.