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Marvel·Superior Spider-Man·#1·Postmodern Age·ID-2403729
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 25 of 55 slabs (45.5%) | 25 | SOV | $43.00 | 25 | $1,075 | (5.7x) |
| 9.6 | 11 of 55 slabs (20.0%) | 11 | $55.00 | 11 | $605.00 | (7.2x) | |
| 9.4 | 8 of 55 slabs (14.5%) | 8 | $42.00 | 8 | $336.00 | (5.5x) | |
| 9.2 | 4 of 55 slabs (7.3%) | 4 | $18.76 | 4 | $75.04 | (2.5x) | |
| 9.0 | 1 of 55 slabs (1.8%) | 1 | — | — | — | (1.8% / 0.03%) | |
| RAW | ~1,997 surviving raw (of ~2,931 printed) | 1,997 | RAW | $7.59 | — | $15,157 | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Christos N. Gage
Mike Hawthorne
Wade von Grawbadger
Jordie Bellaire
Nick Lowe, Kathleen Wisneski, Annalise Bissa
No narrative synopsis recorded in GCD for this sequence.
The Amazing Spider-Man (Vol. 2) #1 — Late-90s Relaunch
Archival retrospective on Marvel's 1999 volume relaunch of Peter Parker following the Clone Saga, exploring direct market reception and modern holographic cover variants.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Postmodern era — deconstructionist storytelling and trade paperback culture. Sustained demand comes from adaptations and creator prestige rather than print scarcity.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.