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Marvel·All-New Wolverine·#3·Postmodern Age·ID-2408462
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 43 of 56 slabs (76.8%) | 43 | SOV | $27.64 | 43 | $1,189 | (4.6x) |
| 9.6 | 6 of 56 slabs (10.7%) | 6 | — | — | — | (10.7%) | |
| 9.4 | 4 of 56 slabs (7.1%) | 4 | — | — | — | (7.1%) | |
| 9.2 | 2 of 56 slabs (3.6%) | 2 | $17.57 | 2 | $35.14 | (2.9x) | |
| 9.0 | 0 slabs | 0 | — | — | — | — | |
| RAW | Raw Uncertified Copies | — | RAW | $5.99 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Tom Taylor
David López
David López
Nathan Fairbairn
Cory Petit
Mark Paniccia, Christina Harrington, Darren Shan, Tom Brevoort
No narrative synopsis recorded in GCD for this sequence.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Postmodern era — deconstructionist storytelling and trade paperback culture. Sustained demand comes from adaptations and creator prestige rather than print scarcity.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
After Wolverine fights and knocks out Taskmaster, The Sisters get up alive and well, as their body armor protected them from his bullets. While Laura and Bellona argue over when it is okay to kill somebody, Zelda shoots Taskmaster's legs. The sisters lead Laura to their humvee getaway car and start driving, but are soon found, followed, and shot at. Wolverine then realizes that Captain Mooney must have put a tracker inside her and she cuts it out of her. She then tells the clones to runaway and hide as she leaps out the car and deals with their attackers. After defeating him, she explains to Captain Mooney that the sisters are under her protection for now while he claims them to be Alchemax's property. Wolverine is successful in finding the sisters once more and they explain that the experiments performed on them are also slowly killing them. Laura wants to help them, but since she figures Alchemax has an eye on almost any scientist she knows who could be of assistance, she takes the clones to someone who cannot be watched without his knowledge - Doctor Strange.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
