Marvel·Sensational She-Hulk·#40·Modern Age·ID-2417219
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 496 of 1,372 slabs (36.2%) | 496 | SOV | $250.00 | 496 | $124,000 | (2.0x) |
| 9.6 | 353 of 1,372 slabs (25.7%) | 353 | $200.00 | 353 | $70,600 | (1.6x) | |
| 9.4 | 216 of 1,372 slabs (15.7%) | 216 | $172.45 | 216 | $37,249 | (1.4x) | |
| 9.2 | 104 of 1,372 slabs (7.6%) | 104 | $154.68 | 104 | $16,087 | (1.3x) | |
| 9.0 | 61 of 1,372 slabs (4.4%) | 61 | $118.75 | 61 | $7,244 | (1.0x) | |
| RAW | Raw Uncertified Copies | — | RAW | $122.87 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
? [as She-Hulk]
John Byrne
John Byrne
Glynis Oliver
Renee Witterstaetter
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
Modern Age (1992–present) — foil cover era, variant proliferation, and the independent movement. Strong narrative significance drives key issue demand. Census-registered copies anchor pricing.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
For the first several pages, She-Hulk appears to be jumping rope whilst being naked, per readers demands. Jen complains that a respected superhero and lawyer is being reduced to this due to a simple joke she made in the letters column. Then the editor, Renee Witterstaetter, comes in and tells her to stop it, and snatches the rope away. We see that She-Hulk isn't actually naked, but was wearing revealing swimwear that were hidden by the artist's blur lines. Renee tells her that it is time to get the story started since they are already on page 7. Jen introduces Renee to Wyatt, and they chat while Jen showers and gets dressed. Jen goes to pick Weezi up at the airport but is surprised to find that Weezi had put on weight since last they met. As they fly home in Jen's car, Weezi tells her that she has always had a bit of a weight problem. Back when she was the Blonde Phantom, she always got enough exercise to keep the pounds off, but after she retired she stopped watching her figure. And even though the magic liquid she was dipped in changed her body to that of a 40 year old it didn't erase any of her bad eating habits. Jen diplomatically asks how her father has reacted to Weezi's new look. Weezi says that he has been great about it. "When I told him I was worried because all my clothes were getting tight...he told me to buy new clothes!" Suddenly Jen loses control of the steering! The car flies straight up into space! Weezi says that she thought Jen's car was only capable of one trip through space, and it already had it! Jen says that's right, but that doesn't seem to be stopping the car from flying into space! Then Jen notices a little red light blinking on the dashboard...and suddenly the car jumps through a space-warp, into the sector she went with Razorback and Taryn. Jen realizes they must be close to the Star Stop Cafe. Weezi passes out since the limited air in the car is getting stale. She-Hulk's more efficient lungs keep her awake longer, and she drives around searching for the Cafe. Unfortunately, she doesn't know the frequency for the homing signal. She-Hulk passes out. A larger vehicle flies by and pulls Jen's car into its cargo bay. Weezi wakes up to find a bug-eyed alien with tentacles in her face! She reacts in terror and kicks the alien away! Jen calms her down, saying that they are with friends. It is Al the alien, and U.S. Archer. They are aboard his truck. Al explains that he installed a "recall" system into the car, so that he could bring it back for servicing if there was a problem. He and U.S. decided to use the recall system to bring She-Hulk there to help them. About a week ago, the Star Stop Cafe started getting hit by meteors. They couldn't figure out how it was happening since Poppa Wheelie had cleared all the stray rock out of the system before opening the station. Wide Load Annie discovered the source of the problem… there are about a dozen flying mountains that are using their own gravitational pull to direct meteors at the Star Stop! Weezi wonders if the flying mountains are Spragg's Hill People, and Jen suspects that they are. She tells U.S. and Al about her battle with Spragg, and how the Mole Man launched him and the other Hill People into space. She assumes that they fell through some kind of space-warp and ended up here. She-Hulk asks why they need her help, since they already have a superhero in residence...Razorback. Al starts to tell them about something that happened to Razorback and Taryn when the emergency alarm goes off! Spragg and his people have resumed their attack on the Star Stop! Jen feels that in a way she is partly responsible for this situation, so she vows to put the situation right, or die trying!
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.