DC·Birds of Prey·#26·Modern Age·ID-2425879
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 4 of 5 slabs (80.0%) | 4 | SOV | $47.30 | 4 | $189.20 | (6.0x) |
| 9.6 | 1 of 5 slabs (20.0%) | 1 | — | — | — | (20.0%) | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 0 slabs | 0 | $24.17 | — | — | (3.1x) | |
| 9.0 | 0 slabs | 0 | — | — | — | — | |
| RAW | Raw Uncertified Copies | — | RAW | $7.84 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Chuck Dixon
Jackson Guice
Jackson Guice
Shannon Blanchard
Matt Idelson, Michael Wright
No narrative synopsis recorded in GCD for this sequence.
Home of Superman, Batman, Wonder Woman, and the Justice League.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
Modern Age (1992–present) — foil cover era, variant proliferation, and the independent movement. Strong narrative significance drives key issue demand. Census-registered copies anchor pricing.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
His passion for Talia al Ghul leads Bane to the Islamic country of Dhabar. When Bane enters an old temple he immediately realizes that someone else had entered the crumbling building only a short time before him. Bane hopes to meet Talia, but instead it is Black Canary whom he never met before. Dinah wears special glasses with an integrated camera, so Oracle sees anything she does. Barbara recognizes Bane, and Black Canary is aware of his reputation. Oracle informs her partner about other intruders and seconds later the demon-masked thralls of Ra's al Ghul shoot at both Bane and Black Canary. Deeper inside the temple, they find what Dinah was originally looking for - loads of weapons and explosives. There also is a Lazarus Pit which Ra's al Ghul uses for his continuous resurrection. Bane intends to deny Ra's al Ghul his immortality by using the explosives to destroy the temple. In the process, Bane seems to be smitten with Black Canary, but she wants to have none of it. Instead, Dinah knees him in the groin and escapes through an underground river just before the whole cave explodes. From afar, Talia al Ghul watches how Black Canary makes her way through the mountains. Bane may be dead, but Talia's father might involve the Canary in his future plans ...
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.