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Marvel·Ultimate Marvel Team-Up·#1·Modern Age·ID-2522607
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 118 of 216 slabs (54.6%) | 118 | SOV | $48.88 | 118 | $5,768 | (9.4x) |
| 9.6 | 51 of 216 slabs (23.6%) | 51 | $24.00 | 51 | $1,224 | (4.6x) | |
| 9.4 | 26 of 216 slabs (12.0%) | 26 | $22.00 | 26 | $572.00 | (4.2x) | |
| 9.2 | 9 of 216 slabs (4.2%) | 9 | $19.10 | 9 | $171.90 | (3.7x) | |
| 9.0 | 5 of 216 slabs (2.3%) | 5 | — | — | — | (2.3%) | |
| RAW | Raw Uncertified Copies | — | RAW | $5.22 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Brian Michael Bendis
Matt Wagner
Matt Wagner
JC
Comicraft
Ralph Macchio, Brian Smith
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
Modern Age (1992–present) — foil cover era, variant proliferation, and the independent movement. Strong narrative significance drives key issue demand. Census-registered copies anchor pricing.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Weapon X sends three agents, including Sabretooth to track down Wolverine and bring him back to the project. Spider-Man happens upon the mutants as they confront each other. The fight spills over into Times Square, but Spidey isn't sure who the good guy is in this situation. When the police get involved, Spider-Man flees, taking Wolverine with him. Spidey tries to get Wolverine to talk about what happened, but he refuses to talk and leaves. Peter appears to have been influenced by Wolverine's mannerisms and adopts some of his style at school, which only ends in humiliation.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
