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Dynamite·Army of Darkness·Ashes 2 Ashes·#2·Independent·ID-26076
Nick BradshawACTIVE| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 8 of 13 slabs (61.5%) | 8 | SOV | $45.92 | 8 | $367.36 | (6.8x) |
| 9.6 | 2 of 13 slabs (15.4%) | 2 | $48.00 | 2 | $96.00 | (7.1x) | |
| 9.4 | 2 of 13 slabs (15.4%) | 2 | $49.62 | 2 | $99.24 | (7.4x) | |
| 9.2 | 0 slabs | 0 | $22.14 | — | — | (3.3x) | |
| 9.0 | 0 slabs | 0 | $19.00 | — | — | (2.8x) | |
| RAW | ~28,163 surviving raw (of ~40,251 printed) | 28,163 | RAW | $6.75 | 5 | $190,100 | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Andy Hartnell
Nick Bradshaw
Nick Bradshaw
Etienne St. Laurent
Josh Johnson
No narrative synopsis recorded in GCD for this sequence.
Ash #0 — Joe Quesada & Jimmy Palmiotti's Event Comics
The 1994 independent phenomenon that established Event Comics as a creative powerhouse, serving as the direct springboard to Joe Quesada becoming Marvel's Editor-in-Chief.
Publisher profile coming soon
Outside the Marvel/DC duopoly. Often creator-owned with outsized cultural impact and far greater natural scarcity.
No returnable copies, no overprint buffer. True scarcity with potential for explosive growth on media adaptation news.
Independent publisher — outside the Marvel/DC duopoly. These issues often carry outsized cultural impact with far greater natural scarcity. No returnable copies, no overprint buffer.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Ash and the Wise Man arrive at the cabin to search for the Necronomicon Ex-Mortis.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
