Marvel·Daredevil·The Man Without Fear·#4·Modern Age·ID-3442574
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 105 of 205 slabs (51.2%) | 105 | SOV | $120.85 | 105 | $12,689 | (24.2x) |
| 9.6 | 29 of 205 slabs (14.1%) | 29 | — | — | — | (14.1%) | |
| 9.4 | 27 of 205 slabs (13.2%) | 27 | $49.44 | 27 | $1,335 | (9.9x) | |
| 9.2 | 9 of 205 slabs (4.4%) | 9 | $26.24 | 9 | $236.16 | (5.2x) | |
| 9.0 | 15 of 205 slabs (7.3%) | 15 | $17.73 | 15 | $265.95 | (3.5x) | |
| RAW | Raw Uncertified Copies | — | RAW | $5.00 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Frank Miller
John Romita Jr.
Al Williamson
Christie Scheele
Ralph Macchio, Pat Garrahy
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
Modern Age (1992–present) — foil cover era, variant proliferation, and the independent movement. Strong narrative significance drives key issue demand. Census-registered copies anchor pricing.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Kingpin builds his criminal empire alongside his mercenaries and his right-hand man, Larks. Matt graduates law school and gets a job at a large law firm in Boston. They send him to New York for a case where he reminisces about his childhood. He's stopped by a group of muggers, but deciding that they are no different than the bullies that taunted him as a child, he fights them and hurts them all severely. He then returns to his father's old gym, now abandoned, where he meets a young girl named Mickey. She reminds Matt of his younger self. After weeks in New York, Matt runs into his former roommate Foggy Nelson and they catch up. He helps Foggy with a case against a slumlord, and Matt remembers that he became a lawyer because he wanted to do good. Kingpin orders his men to cut costs in their film division. The order goes down the chain of command until two drug-addict criminals are ordered to kidnap a young girl. They kidnap Mickey. Matt leaves for the airport so he can go back to Boston, but decides to say goodbye to Mickey first. Upon reaching the gym he finds her hat on the ground, which he had never known her to take off. He uses the address in her hat to find her home. The criminals call the home to ransom her. One of the criminals calls her boss to tell him that the kid is being ransomed against his wishes. Kingpin sends Larks to set things straight. Matt watches Mickey's father deliver the ransom the money in a drop-off. He waits until the criminal takes the money and then follows him. Larks kills the criminal and sees Matt. Kingpin deduces that this must have been a vigilante. Mickey is taken to a warehouse where several children are being kept, but Matt follows Larks. He moves silently around the facility, taking out all of the guards, and sabotaging the getaway car.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.